The Different Hip Hop Dance Styles

The hip-hop culture is about twenty years old. Yes, it is more like a culture. Hip Hop is just not music it is far more than just music, lyrics and videos. There are many people, who even today think that hip-hop is just something about a Rap producers and artist.

The Hip-hop dance basically originated in New York by some young African-American and Hispanic men during the period of late 1960s, it was originated as part of the hip-hop culture of graffiti art, rap and scratch music. The hip-hop dance always keeps changing but it is essentially embraced by two different styles one is of break dance and another is body popping. The break dance you can say is a form of athletic solo in which the dancer or the performer enters in to the dance arena in a sideways motion and then breaks or dives to the floor, then spins around on his shoulders, head or buttocks and ends up with a freeze position. Body popping whereas involves a series of very fast, sharp actions those travel all through the body much in a way as robotic-looking alternations of moves and then freeze. The hip-hop dance and hip-hop music became internationally popular since late 1970s and now, it is often incorporated into theatre dance. You can follow the lead’s latest info.

The differences of Hip Hop Dancers and Poppers ( or Funk Stylists as a select few prefer ) is profound, primarily because of the world the 2 styles originate from, many people consider them 1 in the same in regards to how each dancer whether Hip Hop or Popper evolves within the dance but in actuality I feel thats not entire an accurate train of though. In many circumstances their differences lie in their acquisition of skill. Both spend time practicing, both can spend time learning from a more senior peer. One profound difference in how these teachings are used comes from the world the 2 respective styles reside in.

Hip hop dancers spend more time choreographing and learning moves from whoever their respective teacher may be and these moves usually translate into their own styles almost as a mirror image, this is of no fault to the dancer but to the teachers who push a “right” and “wrong” attribute on their students. By creating a right/wrong environment (in regards to creativity not foundation) it restrains the practitioners own creativity and forces them to follow their teachers moves exactly. In many ways performances and group shows makes this aspect a requirement but in general learning and self development it is a hindrance that often gets swept under the rug in many dance schools.

Poppers, though they can have teachers and also generally teach themselves are in a world where copying of any sort is greatly frowned upon and thus they’re ability to create and grow into a unique dancer is more readily available to them. This in no way means hip hop dancers are incapable of dancing freely of their own created moves because there are many “general” dancers capable of this but the environment they grow in slows this process down. But in contrast poppers seem to have a harder time following choreography that isn’t directly related to funky styles and thus their drawback is being incapable of learning pre-taught dance motions as “quickly” as a general dancers/hip hop dancers.