Posts Tagged ‘Hip Hop Beefs’

Alfamega goes in on T.I. calls him a fraud and a broad

Former Grand Hustle associate Alfamega, who recently attacked T.I. with his “Green Light” diss track said he is prepared for a rap battle with the “King of the South.”

According to Alfa, Tip has yet to personally reach out to him and rectify their situation.

“Instead of him saying, ‘Hey, you know I f*cked up, homie,’ he would rather tell people that he don’t wanna talk right now,” Alfa said in an interview. “He tell people to tell me that. If you know you wrong, you know, be a man and admit you wrong…You got the people believing one thing when me and you both know, and the people around us know, that it’s another thing If he do respond he already know I’m ready! But me knowing shorty, shorty ain’t gon’ respond ’cause shorty know who I am. He know who I am and he know what I do. So I’m not – No disrespect to these dudes, it’s no disrespect period to these dudes, but I’m not Shawty Lo, I’m not Ludacris, and I’m damn-sure not Lil Flip.”  Part of the diss track  below

“Ni%%A you ain’t hard, your persona is so fraud/ And the day you crossed me proved you ain’t that smart…Ain’t but 3 real ni%%as still left in Pimp Squad…that’s Mac, Dro and Doug because ni##a you a broad.

Hip Hop Beefs

Waka Flocka Flame & Young Jeezy’s Entourage Fight In Atlanta

According to reports, A shoot-out between rapper Gucci Mane and Young Jeezy’s entourages took place Thursday afternoon in Atlanta, Georgia.

According to the AJC, “The fight started around 4 p.m. Thursday when Mane’s group walked into the store popular with celebrities and spotted Jeezy’s associates, said witness Patrick Morrison. “There was a physical altercation inside the location between several men,” Atlanta Police spokesman James Polite confirmed to the AJC. One of the men produced a weapon “and as a result a private armed security guard of a local entertainer discharged his weapon.”

“Numerous sources allege that Flocka was attacked by Slick Pulla, an artist signed to Young Jeezy’s Corporate Thugz Entertainment label, and member of the group USDA (United Dope Boyz of America). “Story has it that Waka Flocka and Slick Pulla have been beefing since an altercation that happened in Miami a few months ago,” explained celebrity photographer Freddy O. “Slick Pulla wanted to get it popping and that’s what he tried to do. After a tussle and fight throughout the entire Walter’s store, with customers, gunfire rang out. In the end Slick Pulla left the store while Waka was left with a bloody nose and eye.”

The Game and Knoc-Turn-al Beef heats up

The Game has responded to a recent Knoc-Turn-al interview where the former Aftermath associate spoke on his career with Dr. Dre and 50 Cent.

Writing via Twitter, Game addressed Knoc’s interview and took shots at the emcee’s career.

“4 days ago, knocturnal was hittin me on here, sayin how much he a fan & can we work, now he on da radio talkin sideways cuz I said NO! ha ha see u when I see u #b*tch*ssn*gga ! u had half a hit, u only sold 3 copies & now u a crackhead ! get some help n*gga or go OD somewhere f*g @ihategame this was lil homie reachin out, now he dissin ha ha… somebody help blood out now put a DISS out so I can put yo *ss 2 sleep n*gga ! R.E.D. P.S. ah give you a quarter piece if you come wash my Bentley & Range up smoker you such a h*e I might let my lil sister @bphlii give u a lethal 16 ! she killin most da n*ggas out here in anyway. call #1800-get-some-fans R.I.P. C*ck-turnal ! music career (born) 6-14-99 (died) TODAY !” (Game’s Twitter)

Knoc said that 50 Cent kept Game on Aftermath Records.

“Game is from Compton, we know that, okay,” Knoc told radio personality EI8HT. “Game was about to get dropped from Aftermath. You hear me? And Aftermath was about to drop him, Interscope was about to drop him and 50 Cent picked him up and put hooks. The only reason why he was about to get dropped from Aftermath is because he couldn’t make no hooks for his own music. So 50 Cent picked him up, you hear me? I hope you hear me. He made some hooks, 50 Cent made some hooks for him and put him out and sold five million records. What’s wrong with that?”

50 Cent takes more shots at Jay-Z

50 Cent recently took more shots towards Jay-Z, saying more about how he disagrees with his business practices. 50 has been taking shots at Jay as of late and this has allowed speculation regarding Beanie Sigel joining G-Unit to grow. He also adds that Jay-Z made him not shoot his videos with Freeway.

“I think he completely has his best interests in mind,” 50 told Rolling Stone. “When you commit to working with other artists — I have to be passionate about it. Of course, you want to make money, so you only commit to the things that you’re excited about, that you feel you have the chemistry with or has something there, but after you get past that point, it should be something that you actually want to see win. I tried to collaborate with him on the Freeway project. What I did was Freeway went out and found his publishing deal, and we started the album, and Jay did ‘Big Spender’ and I did ‘Take You to the Top,’ and when it came time to put the record out, he didn’t want to shoot his video, so I’m like, ‘Why am I going to shoot mine? I’m not shooting it. It’s on your label.’ He has a king complex, he thinks he’s f***ing Jesus, you know what I mean? This J-Hova s***.” He went on to add more regarding the Beanie Sigel deal.

“There’s a strong possibility we’re going to be doing it. We’re starting with this song, and the deal structure between me and him is a complete 50 percent profit split. It’s not like an artist deal, like you get 50 percent of everything. For me to deal with Beanie, I’d have to explore the possibility of doing that the entire project, because I wouldn’t want to force him to make commercial music, where he can make decent money — a lot of money — without selling a lot of records, and just let it be what it is. That’s the details, the difference between doing a deal with that artist and other artists.”

Finally he said he’d love to hear Jay-Z’s reply and that Nas won the Jay-Nas battle.

“I’d love for him to say something he’s not supposed to say about me. The difference is the last guy he competed with was Nas, and he lost. Nas just didn’t keep his business intact, and later had to submit and sign under him, so we couldn’t acknowledge that he beat him when they had to compete. I think he got a phobia from that. You know what the most vulnerable space for an artist is? Confusion. So if you think you’re the hottest rapper or the hottest artist, whenever you’re losing and everybody knows it that could be a confusion point for you, right? That’s what he went through at that time. We don’t know what happens in the future, but we know the facts.”

Beanie Sigel says Jay -Z stopped Lil Wayne from claiming best Rapper Alive

Beanie Sigel has continue his war of words toward Jay-Z by accusing the rap mogul of dying down Lil Wayne’s past pursuit of being known as the “Greatest Rapper Alive.”

According to Beans, Hov is known for protecting his image and was persistent in making sure fans saw him co-sign Wayne to avoid one-sided comparisons.

“A lot of Jay-Z fans are my fans too,” Beans explained in an interview. “At the end of the days, Memphis Bleek’s fake too. F*ck outta here. I ain’t trying to hear that. Bleek got the same characteristics, man…Lil Wayne professed the ‘Greatest Rapper Alive’ and was getting the momentum. Lil Wayne can rap, Lil Wayne can spit, in my point of view. I like Lil Wayne, he should have kept moving with it and then Jay come and tell Lil Wayne he gonna pass the baton to him then Lil Wayne falls back…Kanye West was coming at you, if you listen to the ‘Big Brother’ record, it’s the same thing…That’s one thing about me, I ain’t no liar and Jay-Z knows that sh*t…Go back to the B.Coming record, ‘I Can’t Go On This Way,’ listen to the beginning of that record. All you gotta do is listen to it.

Cash Money Records’ Baby also vouched for Wayne saying the rapper’s lyrical talent bypasses Hov.

“No n*gga in the business itself make more money than us,” Baby explained in an interview. “More than Wayne, than us.

So how could a motherf*cker even want that title if he ain’t making the most and I don’t think the n*gga can rap better and I don’t think the people feel him like that, it ain’t about us, it’s about the people.

I think we do the most. So if I win the most championships, it must mean I’m the best. That’s how I look at it, we make the most money. Until a n*gga can come by and say he make more money Cash Money, Young Money, why would you want to say you’re the best? And that’s a personal pride, you can live with that on your own.

Jay-Z Responds to Beanie Sigel

Jay-Z has responded to the barbed words of Beanie Sigel, in the aftermath of a diss song called “What You Talkin Bout I Ain’t Your Average Cat at a Canadian Press conference.
Jay-Z appeared at Montreal’s Bell Centre to answer questions from writers and reporters.

Sigel, once a prominent rapper in Jay’s Roc-A-Fella Records, expressed a number of issues with his former comrade. These matters ranged from loyalty to allegations that he had Sigel removed from a concert in Philadelphia by police.
Jay-Z made no mention of most questions that bothered Sigel, but he did say he felt he helped his counterpart greatly in an interview with a Canadian site.
“Beanie Sigel, to be honest and you can look it up, just to be honest…was driving two Bentleys. I don’t know how,” Jay-Z said at a press conference to the Canadian Hip-Hop site. “Its impossible to drive two cars at the same time. With his momma in the sticks, selling 800,000. I don’t know what more you can do for somebody.”
“What people choose to do when they obtain that type of success, at some point you gotta look in the mirror and look at yourself,” Jay continued. “Beanie Sigel had a record deal, a record label and a clothing line…and never went platinum. Ever. I don’t know in the history of rap has anyone done so much with so little. So, I don’t know what more can you do for a person at that point. A record deal – that’s normal. A record label and a clothing line. If that’s not pushing the person…s**t.”
Friday morning, Sigel spoke to Philadelphia radio host Charlamagne Tha God and aired out his grievances, which seemed more about loyalty than any other topic.
“I think I held my tongue long enough about this whole Roc-a-Fella situation,” Sigel. “I was the realest thing that happened to the Roc. The Roc was just a rock. I brought the Fellas to Roc-a-Fella Records; Hot 97, State Prop, y’all remember. I brought the street cred to that. I fought all them battles: Jadakiss, Nas, Dipset. Anybody you woulda told me to go after. Matter of fact, you ain’t even have to tell me. I frontlined for that thing of ours, for that diamond that people was throwin’ up. I’da took a bullet at that time.”
Sigel also stated the he wasn’t really dissing Jay-Z even though some of his raps seemed to counter that assertion.
The displeased rapper explained, “I’m not really dissing Jay. It’s certain parts in there where my emotions … it’s an emotional record for me. When I listened to The Blueprint 3, I heard a lot of shots directed towards people.

Beanie Sigel disses Jay-Z

Just hours after Jay-Z fans in New York celebrated yet another landmark moment in his career – a performance with singer Alicia Keys at Yankee Stadium – many were glued to their radios and computers, as Jay became the topic of conversation for a much less glamorous reason.

Early Friday morning October 30, Hot 97′s DJ Kay Slay debuted a shocking Jay-Z diss record delivered by non other than Roc-a-Fella Records artist Beanie Siegel.

The track, titled “Average Cat” seems to be a response to “What We Talkin’ Bout,” the first track on The Blueprint 3.

Siegel responds directly to the line “Grown men wanna sit on my lap/but I ain’t got a beard and Santa Claus ain’t Black.”

While seeming to hold back on some of his grievances with Jay-Z, who he calls his “brother” in an explanation at the end of the song.

Siegel makes one clear accusation about the highly-publicized September 11 concert, during which Jay premiered his live performance of The Blueprint 3.

“The rapper Shawn called the police on me/cause I was front row at the Blueprint 3,” Siegel raps. “S**t, I just wanted to see him MC, and reminisce on when we was the R.O.C./But he called all the C.O.Ps, not only that, he brought out the F.E.Ds/So that’s telling me ‘F You Sieg,’/so F you too and F Bleek three.”

At the end of the track, during which Sigel also insinuates that he has information that could affect Jay-Z’s relationship with Beyonce, the “Broad Street Bully” addresses listeners directly, explaining why he decided to release the track.

“I think I held my tongue long enough about this whole Roc-a-Fella situation,” said a noticeably upset Sigel. “I was the realest thing that happened to the Roc. The Roc was just a rock. I brought the Fellas to Roc-a-Fella Records; Hot 97, State Prop, y’all remember. I brought the street cred to that. I fought all them battles: Jadakiss, Nas, Dipset. Anybody you woulda told me to go after. Matter of fact, you ain’t even have to tell me. I frontlined for that thing of ours, for that diamond that people was throwin’ up. I’da took a bullet at that time.”

He goes on to reveal that following his year-long prison stint in 2004 – during which Jay-Z apparently never visited or corresponded with him during – the longtime friends met to discuss Sigel’s release from Roc-A-Fella Records so he could pursue other opportunities.

According to Sigel, Jay offered him a financial incentive to remain on the struggling label’s roster. “I told you I ain’t want your money,” he said addressing Jay-Z directly.

“But you was in a position to let me get my own money, and you couldn’t do that,” Sigel claimed.

Whatever issues remain between the two artists, who have always appeared to be very close, Sigel has made it clear that they can be resolved.

“And don’t get it f***ed up: this ain’t the green light for everybody to start making diss Jay-Z record. I still got love for the n***a. This just me taking my brother out in the yard for 5 minutes,” he said in closing before screaming out “Roc-A-Fella for life.”