Hip Hop Legends

Hot Sauce Committee Part Two Beastie Boys

Wanna feel old? A full quarter century has passed since the Beastie Boys first whined about having to fight for your right to party.

While some groups might feel self-conscious about so much time gone by — especially a group that worked so hard to put its first punky slogan behind them — it’s telling that the Beasties went out of their way to emphasize it on the new CD, “Hot Sauce Committee Part Two.”

They open their first all-rap effort in seven years with a piece, “Make Some Noise,” that playfully mangles their original “party” phrase, as if trying to outdo it for drunken outrage. More, they titled the disk’s kickoff video “Fight for Your Right Revisited.”

That’s a genuine dare, considering “Sauce” doubles as the first Beastie release since these “boys” hit their 40s, as well as the first since Adam Yauch was diagnosed with salivary-gland cancer.

Instead of using such things as a spur to maturity, though, the trio zigged in the other direction. “Sauce” represents a flagrant act of regression, not to the snotty sound of “Party,” but to a general sense of fun and youthfulness they haven’t managed in over a decade. Call “Sauce” a comeback, then, following an indifferent instrumental CD (2007′s “The Mix-Up”) and a water-treading retro-electro work from 2004 (“To the 5 Boroughs”).

To be sure, “Sauce” doesn’t show the leaps in creativity of the Beasties’ brilliant first string of four CDs. But it approaches them in danceable and quotable joy.

Once again, the focus falls on electronic hooks over forays into Latin-jazz or rock. But then, the Beasties have always filtered hip hop through the sensibility of stone-cold rock ‘n’ roll. Unlike the synth hooks on “Boroughs,” however, the new ones aren’t so bound to the past. They have a fresh, cartoonish sheen, as futurist as the soundtrack to anything from the world of Japanese animé.

“Too Many Rappers” has oscillating synths that sound like a spaceship taking off, while “OK” makes new wave seem new again. Think: The Cars go hip hop. Likewise, the synths in “Make Some Noise” reinvent the textures of that ultimate totem of ’70s funk, the clavinet.

Yauch’s voice, already rough on “To the 5 Boroughs,” now sounds far scratchier. But that just lends him a husky authority and serves to distance the group from its nerdy roots.

Not that they need that much distance. The Beasties still make a great case for goofy humor, marked by voracious name-dropping. Special kudos to them for offering shout-outs to Tippi Hedren and “leggo my Eggo,” plus two quotes from Dylan’s “Subterranean Homesick Blues” (perhaps history’s first unconscious rap).

That the Beasties can deliver all this in a terse, 44-minute package shows they’ve made aging disgracefully something to be proud of.

nydailynews.com

ThatCrack.com Update for real DJs and Artists and Fans

ThatCrack.com is back online. We suffered a server meltdown and a lot of tapes were lost. We had to rebuild the site from scratch. The site is back up and running and we will be 100% soon. If you had a tape on the site and it is not there anymore re upload the tape using the new upload tab inside the log in. Thank You for bearing with us we appreciate all the true loyal DJs that call ThatCrack a home.

Eminem Versus 2Pac

Two of the Greatest Rappers of All time go head to head who would win ? Who knows, Eminem was a battle rapper but 2 Pac was known for spitting vicious rhymes that still to this day are memorized by his legion of loyal fans. Slim Shady is one of only a few artists on the planet that can fill a stadium for a concert. 2 Pac has sold more albums after his death then most artist alive ever will sell. So who is the Greatest rapper pound for pound round for round record for record out of these two.

Eminem

slim shady lp 4,830,000 million world wide

marshall mathers lp 12,120,000 world wide

eminem show 10,960,000 world wide

encore 5,845,000 world wide

curtain call 3,805,000 million

re-up 1,180,000 worldwide

relapse 2,215,000 world wide

recovery 2,285,000 world wide and counting

Total Albums sold to date  42,970,000 albums worldwide

2Pac

Posthumous albums

Total Albums Sold to Date 75,000,000 albums Worldwide

WINNER 2PAC

Ice Cube needs your Help

VH1 is currently in production on a long awaited edition of “Behind The Music” that covers Ice Cube’s career from the beginning up to 2011. Ice Cube recently spent several days with the VH1 cameras to give one of the most in depth interviews of his career, which promises to make this episode of “Behind The Music” one of the best yet.

The VH1 producers and icecube.com are searching the archives for some of the important moments from Ice Cube’s career. Here’s how you can help. If you have have either of the items below and can provide a high quality, high resolution scan, VH1 will use the item in the upcoming Behind The Music and the item will be returned to you, personally signed by Ice Cube.

1992 interview with the Korea Times

Assorted articles and magazine covers

Video files of the ST. Ides commercials

Your support is always appreciated.

Peace

Icecube.com

DJ Kool Herc Hospitalized in serious condition

Hip-Hop pioneer DJ Kool Herc is currently in the hospital suffering from an unknown health condition.

According to Gangstarr’s DJ Premier, Kool Herc’s health is deteriorating and he is in need of financial assistance, because he reportedly doesn’t have health insurance.

“Kool Herc is very sick,” DJ Premier revealed on his XM Satellite radio show Live From Headqcourterz. “For those that know about Hip-Hop, who we call the father of Hip-Hop, Kool Herc, is not doing well. It’s funny how we have a father of a culture that still lives, where as in some cultures they are dead and gone even though they may still be worshipped or reflected on in some kind of way.”

According to DJ Premier, he spoke to Herc, who revealed that he was in need of financial assistance because he didn’t have medical coverage.

Kool Herc, 55, is recognized by music historians as the Founding Father of Hip-Hop for his style of “Break” DJ’ing, which isolates the rhythm of a particular portion of a record.

He is credited for laying the foundation for the most popular genre of music in the world, after a party he hosted at 1520 Sedgwick Avenue, in the South Bronx.

DJ Kool Herc is also a community activist who led a multi-year effort to prevent the sale of 1520 Sedgwick to greedy real estate speculators.

In September of 2010, the building received a $5.6 million dollar federal loan that halted the sale of the building, allowing hundreds of tenants to keep their homes.

Additionally, the building has officially been recognized as the place Hip-Hop music during the party, which took place on August 11th, 1973.

Hip Hop artists have shouted his name out time and time again. There are other Hip Hop stars that probaly don’t even know who he is. There are Hip Hop stars who would rather waste there money on a iced out watch or another tacky iced out chain then help Hip Hop OGs like DJ Kool Herc. The Lil Wayne’s,50 Cents, Dr Dre,EminemS,Snoop Doggs,P Diddy’s of Hip Hop should write a check and get the founding father of Hip Hop out of debt. Will they do it ? We shall see. These will be the same people paying tribute to him if he passes away.  Get well soon DJ Kool Herc.

Afrika Bambaataa getting to the Heart of Hip Hop

“Hip-hop has been hijacked by a Luciferian conspiracy,” he says, quite matter-of-factly. “People have used hip-hop in a lot of ways that cause a lot of mind problems. They use the word wrongfully. They use it to mean a part instead of a whole. Like many of these [radio] stations say they’re hip-hop, they’re playing hip-hop. I go to these stations, and these so-called program directors don’t know jack crap about hip-hop culture. They know rap to a certain extent. But I question them. I say, ‘Where’s your go-go, your hip-house, your electro-funk, your raga, your R&B and soul?’ They get real quiet.”

As the man often credited with inventing the term “hip-hop,” Bambaataa has the right to quibble over its application.

The history of the enigmatic Bambaataa — his real name is a mystery, though it’s often reported as Kevin Donovan, and you absolutely do not ask him how old he is — has been told and retold and should be on tablets by now. Grew up in the south Bronx projects, became a warlord in the Black Spades gang, then decided to use his powers for good instead of evil. With a natural talent for community organizing and an innate charisma, Bambaataa formed his own gang, the Zulu Nation, and started throwing the coolest parties in his ’hood.

When people gathered for a block party, the distinction between audience and performer was nebulous. A DJ plugged his system (illegally) into the lamppost and played some records; to keep the energy up, he only played a minute or two of the song before cutting to another one. Kids would dance, showing off some crazy new moves. Someone might grab a microphone and tell stories or rap. Someone else colors a nearby wall with spray-paint. These would become the four pillars of what Bambaataa would enshrine as “hip-hop”: DJing, break dancing, MCing (rapping) and graffiti art.

“It was a word that was being used in cliche raps, by Keith “Cowboy” [Wiggins, later of Grandmaster Flash and the Furious Five] and other people,” Bambaataa says. “Once this became a thing, you know, we had to call it something. It’s hip-hop. It’s hip, and you’ve gotta hop to the beat to get down to feeling what you’re feeling.”

This is why Bambaataa is still going, still touring as a DJ without much fanfare, still throwing block parties in whatever club will have them: It’s about “getting down.”

“I can’t stand it when the audience just stares at you,” he says. “I tell these promoters, ‘I’m coming to DJ. It’s about the audience and the party. People are gonna dance, so be ready.’ … Dancing brings out the inner self of people, lets certain things go. You’re stressed out, got problems at home, hard times at work — the vibration of the music does many things to many different people. Has throughout history. We’re never more human than when we’re moving to music. Dogs run, birds sing, bees work. Humans do all that, but only humans dance.”

Bambaataa’s party culture thrived throughout the ’70s. Then rappers started making records. Bambaataa’s output during the last three decades has been erratic but influential (he recently collected his ’90s output in “The Decade of Darkness: 1990-2000”), especially at first. His penchant for mixing old music with new also led him to blend styles, as well. His 1982 single “Planet Rock” was revelatory: Instead of a funk band, Bambaataa clipped beats and sounds from a record by Germany’s dance-rock pioneers Kraftwerk. A new approach to music making (and copyright lawsuits) was born.

Today, though, Bambaataa is one DJ who doesn’t show up to the club with a lot of precious vinyl.

“I love having a digital crate now,” he says. “I still go looking for certain vinyl records, but I put ’em into my digital crate.”

“This way I can have a variety of so much different music I can spring on any audience I play for. … It helps me take people on a journey. The last gig I was at, I said, ‘I want you to dance like your mom and pop used to.’ I started throwing ’60s records. People went crazy. Once you’ve got ’em, you keep ’em going. I jump back to a style they enjoy today, then hit ’em with James Brown. I play stuff even from the ’30s and ’40s, stuff I didn’t even know I had. Whatever the moment presents.”

MC Hammer Exposes Jay Z as a Devil Worshipper

MC Hammer at one time was the biggest Hip Hop artist in the world. He spent all his money went bankrupt, then became a Preacher. I don’t know what made him want to expose Jay Z as a devil worshipper but I have to respect him for saying what he wants. Jay Z is the second biggest rapper in the world behind Eminem and Jay Z does throw up Satanic signs and has satanic images on his clothing line. I do not know if he does worship the devil or made a pact with the devil or sold his soul to the devil. I do know that you should take heed of warnings when they come your way. A wise man gets more use from his enemies than a fool from his friends.